SIGMA’s Art Prime version of their FF High Speed Prime Series have PL mounts that are equipped with /i Technology lens metadata communication protocol and electronic contacts. Sigma noticed this trend which led to the development of their new line of primes. Although previous SIGMA cine lenses basicaly retains the idea from SIGMA still lenses, are there plans to develop cine lenses with original focal lengths in the feature? Each lens in the set is marked with the front diameter, filter diameter, image diameter, focal length and maximum T-stop speed. Sigma Cine Lenses will be available in EF (Canon), E-mount (Sony), and PL (all except 24-35mm T2.2 Full Frame Zoom) 1. Sigma told me this is to compensate for miscalibrated mounts where the back focus is set up incorrectly, which makes sense. The entire lineup now includes 10—yes, count them—high-speed Cine Prime lenses, including 14mm T2.0 FF, 20mm T1.5 FF, 24mm T1.5 FF, a new 28mm T1.5 FF, 35mm T1.5 FF, a new 40mm T1.5 FF, 50mm T1.5 FF, 85mm T1.5 FF, a new 105mm T1.5 FF and the 135mm T2.0 FF. The Canon FOV looks more like a 12mm, even though the C200 said it was framed at 14mm. Sitting at opposite ends of the Sigma FF Cine Prime Lens family's focal range, the 14mm T2 and 135mm T2 are important bookends to the line for your ultra-wide and ultra-narrow shots. For still photographers, these lenses are compatible with cameras shooting at 50 megapixels or higher and pair very well with the Canon 5Ds and 5Ds R. The coatings on Sigma's cine line are the same as on their ART series lenses, simplifying color correction when using both of … Introducing a complete lineup of fine lenses. Buy seven, eight, or nine lenses, save 10%. Two compact twin cine style zooms based on the now legendary Sigma 18-35 and 50-100 stills lenses. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography … Discounting the framing variation, the Sigma looks sharper to me, especially on the right-side white-on-black lettering on the X-Rite that says, “X-Rite Color Checker.” The color chips in the X-Rite also have noticeably more saturation. The bodies of all the Cine Primes are aluminum with steel mounts. Introducing the Sigma Cine Classic Art Prime lenses. So I decided to use the following settings on this inexpensive lens and light the scene for 23.98 fps, at native ISO 800 to maximize dynamic range for the C200 at T5.0 with a 180-degree shutter. I lit the scene with a single Aputure Light Storm LS 1s Daylight LED panel that was shone through a Westcott 42” diffusion disk. Sigma doesn’t deploy iData protocol on the PL versions, but the EF- and E-Mount versions communicate focus and t-Stop information to integrate the camera’s metadata capabilities. But for my occasional higher-end shoots, where I have ACs to pull focus, I will definitely be putting the Sigmas to work. Using over 50 years of lens making experience, particularly the knowledge gained from the 35mm 1.4 Art and the 24mm 1.4 Art, the 20mm 1.4 Art is the widest large aperture Art lens to date. Pricing and availability for the remainder of the Sigma Cine Line will be revealed at NAB 2017. They are called FF High Speed Primes and they cost $3500 to $5000 each. Founded on the success of the Sigma ART line of lenses, Sigma Cine Primes have several lens lineups that range from 14mm to 135mm and cover T1.5 to T2. (For this documentary, we’ve tended to set up lights that provide a more informal look. The Fringer EF-FX Pro II Lens Adapter allows you to easily and quickly mount Canon EF and EF-S mount lenses to a Fujifilm X Mount camera body. Since I own Canon EF mount lenses of the same focal length, I thought it would be interesting to compare these lower- to medium-end Cine Primes with my decidedly much, much lower-cost still-lens Canon prime lenses. All cover S-35 and Full Frame FF) and these now include: Sigma Cine Primes – 10 focal lengths 14-135mm From the outset, Sigma announced that they would manufacturer a range of 10 x Cine prime focal lengths from 14mm to 135mm and the majority of these have a T stop of T1.5. So I was impressed right off the bat. Key Features. It’s been much more about lighting the talent for basic exposure, in a flattering way but not doing too much. Introducing the Sigma Cine Classic Art Prime lenses. These ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. I’ll be the first to admit that this review will likely only prove compelling Read more…. The color, detail and skin tone rendition are superb. Sigma Corporation of America is a subsidiary of the Sigma Corporation, a Japanese based family owned manufacturer of DSLR cameras, camera lenses and camera accessories. With the same differences in color quality and saturation as the other two comparisons and with these two 85mm lenses, to my eye, the Sigma has noticeably more contrast and fine detail. The still ART version, of course, has autofocus, but the focus ring doesn’t have the same perfectly dampened, much longer focus throw of its Cine Prime cousin. I noticed they breathed less than any of my still lenses and less than some other Cine lenses I have used over the years. In 2016, I stopped by the Sigma booth at Photo Expo in New York. The lenses are compact while still offering full-frame compatibility, and rival high-end prime sets with their superior resolution over so many modern primes. Sigma T1.5 FF High Speed Prime Cine 5 Lens Set, Imperial, Canon EF Mount 5.0. • Hands-On Access: The showroom has a nice environment to shoot in and offers room for an actor or model to walk through a scene for testing. Choose among all 10 of our primes: 14mm | 20mm | 24mm | 28mm | 35mm | 40mm | 50mm | 85mm | 105mm | 135mm. Sigma 40mm T1.5 FF High-Speed Prime Lens. That’s one of the big reasons I was excited about the Sigma Corporation’s new West Coast office in Burbank, California, that opened its doors this past October. Here, we were going for a slightly more dramatic type of look with higher contrast to allow this scene to match scenes that we already shot last year in a different recording studio. But I chose these focal lengths for a specific reason. The Sigma 14mm T2.0 Cine Prime front element protrudes enough that filters cannot be mounted to the front of the lens. These Sigma cine zoom lenses are a great choice for professional cinematographers, and they are really compact and well priced considering the price for a similar Zeiss zoom lens is twice as much. These lenses are genuine cine primes, not merely still lenses that have had the aperture ring de-clicked. FF Classic Prime Line; Related Questions. The front element and rear element have a special protective coating to improve durability and exposure to the elements. An exceptional option for cinematographers, these lenses are compatible with image sensors larger than Super 35, now used in the latest digital cinema cameras. Of course, autofocus is not utilized; these are, after all, Cine Primes, where most often a camera assistant will be pulling focus for the operator. 160° zoom rotational angle 4 At 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming. Cine Lens Products Information. Fabulously Full Frame Sold as a pair with its own hard case, this kit makes an excellent addition to your Sigma FF Cine Lens Set (particularly if you already have the five T1.5 lens set). The first video is a simple lens test directly comparing the Sigma Cine Primes and the Sigma Art Classics. And since every lens in the lineup projects a 43.3mm image circle, these lenses should cover any of the newer-generation popular FF cameras, like the RED Monstro imager. Sigma, makers of fine still camera lenses, has entered into this arena in the last year with both Cine Zooms and a remarkable set of very fast Cine Prime lenses. So I typically utilize still lenses with my C200, largely so I can utilize Canon’s image stabilization, which helps immensely with handheld and gimbal shooting. The Sigma Cine Primes are nicely marked and evenly spaced on the focus scale. EF/PL/E Mount; 35mm/APS-C; Max: t/1.5 With fast apertures ranging from T1.5 to T2, the lineup allows you to get that low light shot without compromising quality. Sigma''s FF High Speed Prime Line of Cine Lenses offers superior resolution (6K-8K capability) while maintaining a compact size for easy use. Sigma''s FF High Speed Prime Line of Cine Lenses offers superior resolution (6K-8K capability) while maintaining a compact size for easy use. Founded on the success of the Sigma ART line of lenses, Sigma Cine Primes have several lens lineups that range from 14mm to 135mm and cover T1.5 to T2. Founded in 1961, Sigma Corporation prides itself on high quality and innovative photographic equipment. They are very well made and are somewhat future proofed (as much as anything in our business can be) since they are full frame. I set up my Canon C200 on a tripod and staged and lit a series of test charts consisting of a focus chart, a Kodak grayscale strip and an X-Rite Video Color Checker chip chart. Please read the independent IMAGO review of the Sigma lenses here. This Sigma Kit of Five T1.5 FF High-Speed Prime Lenses assembles 20, 24, 35, 50, and 85mm focal lengths in a hard-shell case. I mainly shoot documentary-style films, including behind-the-scenes footage and higher-end corporate projects. For me, as a DP, it’s always helpful to have a facility that offers the ability to bring in a camera and try out a lens before purchasing. The lens’s focus rotation is 180 degrees, not 300 degrees, as some ACs prefer, and the focus goes past infinity. The Sigma Cine High-Speed Zoom 18-35mm T2 and 50-100mm T2 lenses began shipping in December 2016 for a retail price of $3999.00 USD. Note that the 10-18mm Canon lens is an EF-S APS-C lens whereas the other two primes are EF full-frame lenses. And welcome to our first Cine lens MTF comparison. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing. I don’t usually shoot narrative, music videos or commercial projects more than once or twice a year. •Arri LMB25 Clip-On Matte Box•RT Motion Wireless Remote Focus•Pola and ND filters, Sigma Lenses - Film & Digital Times Sigma Factory Tour, 6158 Olson Memorial HWYGolden Valley, MN 55422T: 952.303.6226C: 612.310.4698rentals@cinemechanics.com, CAMERAS       LENSES       CAMERA SUPPORT, ACCESSORIES      VIDEO SUPPORT      LIGHTING, Want a more vintage flarey look? This is a bit of an exercise in futility, since photo lenses have actual transmission variance even from copy to copy, and I was using three different Canon still lenses of three different focal lengths. Since the Sigmas read out in t-stops and the Canons in ƒ-stops, I relied more on matching exposure via the waveform display and Zebras on the C200 than on trying to do an f-stop to t-stop conversion. Sigma Cine Lens Pricing & Availability . To compare the new Cines, I set up a lab test. The scenes were lit, but the lighting has a “nothing fancy” documentary style. As it previewed back in July 2019, Sigma has launched its new line of ‘Classic’ Art prime lenses for cinematography. During the event, executives discussed big plans for expansion of their Cine and Global Vision lens lines. Speak to us today about your requirements. Ratings Distribution. In comparing these two lenses, I see quite a bit more fine detail with the Sigma versus the Canon still lens. I say “subset” because the full line up of Sigma’s new Cine Primes has recently expanded to include quite a few focal lengths. 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